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1973 had some of the most fascinating flop TV shows of the decade

Image: The Everett Collection

Television had undergone a seismic shift at the start of the Seventies. The look, tone and topic of most TV shows went from brightly colored whimsy and country sensibilities to a greater reliance on realism and urban settings. Naturally, there were some growing pains. Some shows brilliantly pioneered a new era, while others felt like desperate attempts to keep up with trends.

In the middle, there were shows that were probably too ahead of their time, interesting concepts that never got the necessary time to click. These shows pushed boundaries, with wonderful casts. Often, it was merely a matter of scheduling that led them to die after a single, short season.

Here, for example, are seven fascinating flops that aired in 1973. They deserved to make it to 1975, at the very least.


Assignment Vienna

Technically, this premiered in the fall of '72, though it was still hanging on by a thread in the early months of '73. Assignment Vienna was one of three shows part of The Men, a wheel series that rotated this spy tale with The Delphi Bureau and Jigsaw. Robert Conrad, between The Wild Wild West and Baa Baa Black Sheep, starred as the owner-operator of Jake's Bar & Grill, an American restaurant in the Austrian capital. The star was top shelf, but the true appeal here was Vienna itself, as the series was shot on location — a huge, cinematic change of pace from the standard studio-lot action of most television to that point.

Image: MGM Television


Bob & Carol & Ted & Alice

The R-rated 1969 film Bob & Carol & Ted & Alice tackled the changing sexual mores of the time, along to some fantastic music from Quincy Jones and Burt Bacharach. Adapting the swingin' movie for television was going to be a challenge, what with the censors. Certainly, the small-screen version was toned down, but it still pushed boundaries, which is part of the reason behind its failures. Here were two young couples in 1973, discussing promiscuity, skinny-dipping, losing virginity, nudism, and X-rated flicks. The cast, including Robert Urich and Ann Archer, was wonderful. Oh, and it even included Jodie Foster as Ted and Alice's kid.

Image: The Everett Collection



Diana Rigg has delighted sci-fi and fantasy fans for half a century, having played Emma Peel on The Avengers and Olenna Tyrell on Game of Thrones. In 1973, the Brit was starring in her first American sitcom, playing a single, working woman in the mold of Mary Richards of The Mary Tyler Moore Show. Derivative? Bah. Television could have used more of the type at the time. Besides, Diana was a fashion designer in Manhattan, not working at a TV station in the midwest. Unfortunately, NBC slotted the show against Gunsmoke and The Rookies, two shows in the Top 25. It didn't stand a chance.

Image: The Everett Collection


The Girl With Something Extra

Sally Field brightens up any television show, and had experience playing the charming lead in quirky sitcoms after years of The Flying Nun. Here, the future Oscar-winner was a woman with E.S.P., newly wed to a man played by John Davidson, future host of Hollywood Squares. The supernatural comedy had elements of I Dream of Jeannie, Bewitched and My Favorite Martian, which makes it the one show here that felt a little dated, but… the cast was great, including Zohra Lampert, Jack Sheldon and Teri Garr.

Image: The Everett Collection


The Magician

When it premiered in the fall of 1973, The Magician was a peanut butter & jelly combination of youthful fantasy and action, Harry Houdini meets James Bond. Here was a master escape artist who drove a growling sports car and lived inside a jumbo jet. ("It's like any other mobile home, only faster.") The playboy magician, Anthony Blake, assisted those in need while trotting the globe. The title character was played by Bill Bixby, who was hot off The Courtship of Eddie's Father and the earlier hit My Favorite Martian. He would later score with The Incredible Hulk, but this zippy yarn, a precursor to the lighthearted adventures of late-'70s, early-'80s TV, deserved to be just as big.

Image: The Everett Collection


Roll Out!

A mix of M*A*S*H and Hogan's Heroes, Roll Out! took a lighthearted look at the 5050th Quartermaster Trucking Company of the U.S. Third Army's Red Ball Express. In fact, it was created by Larry Gelbart and Gene Reynolds, the creators behind M*A*S*H. The distinction here was that these serving men during WWII were largely African-American. The cast had the comedic chops, too, as it featured stand-up comedian Stu Gilliam and soon-to-be Saturday Night Live performer Garrett Morris.

Image: The Everett Collection



The hit 1971 film Shaft ushered in the era of the black action hero. Richard Roundtree played "the cat that won't cop out when there's danger all about," according to Isacc Hayes. The movie spawned two sequels, Shaft's Big Score! (1972) and Shaft in Africa (1973). Months after the latter, Shaft made the jump to the small screen. What was fascinating about the move was Roundtree himself continued to play the character, unlike most TV adaptations of blockbusters. Some changes were made, largely Shaft's working relationship with the police. The network's big fumble here was alternating Shaft on Tuesday nights with Hawkins, a show with a 65-year-old Jimmy Stewart playing a rural-raised lawyer. Clearly, these were aiming at completely different demographics, and no consistant audience could be built.

Image: The Everett Collection


SEE MORE: 10 fascinating flops from the 1984 television schedule

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